This book resonated in two ways, the first being that she wrote her book after going through the same graduate program that I find myself in now. Secondly, she was arguing for a tactile, messy, unexpected and "real" design aesthetic that I find appealing even if I don't always seek it in my own work.
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It makes me think about the two endpoints of this spectrum that she talks about, and it echoes the struggle between online and real world interaction.